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Abbott, Stacey, A Little Less Ritual and a Little More Fun: The Modern Vampire in Buffy the Vampire Slayer

Abbott, Stacey, Walking the Fine Line Between Angel and Angelus

Abbott, Stacey and Lorna Jowett. Buffy Hereafter: From the Whedonverse to the Whedonesque (Conference Report)

About the Show

Academic Buffy Bibliography

"Actually, it explains a lot”: Reading the Opening Title Sequences of Buffy the Vampire Slayer

Adams, Michael, Introduction: Beyond Slayer Slang: Pragmatics, Discourse, and Style in Buffy the Vampire Slayer

Aeneas the Vampire Slayer: A Roman Model for Why Giles Kills Ben 

“Aiming to Misbehave”: Role Modeling Political-Economic Conditions and Political Action in the Serenityverse

Ain't Love Grand: Spike & Courtly Love

Albright, Richard S., “[B]reakaway pop hit or . . . book number?”: “Once More, with Feeling” and Genre

Alexander, Jenny. A Vampire is Being Beaten - De Sade Through the Looking Glass in Buffy and Angel

Alienation and the Dialectics of History in Joss Whedon’s Dollhouse

And in Some Language That’s English? Slayer Slang and Artificial Computer Generation

Apocalyptic Apocalypses: The Narrative Eschatology of Buffy the Vampire Slayer

Archive

Alderman, Naomi and Annette Seidel-Arpaci, Imaginary Para-Sites of the Soul: Vampires and Representations of ‘Blackness’ and ‘Jewishness’ in the Buffy/Angelverse

"Are You Ready to Finish This?": The Battle against the Patriarchal Forces of Darkness

Bacon-Smith, Camille, The Color of the Dark

Badman, Derik A. Academic Buffy Bibliography

Barbaccia, Holly G., Buffy in the "Terrible House"

Battis, Jes, Demonic Maternities, Complex Motherhoods: Cordelia, Fred and the Puzzle of Illyra

Battis, Jes, “She’s Not All Grown Yet”: Willow As Hybrid/Hero in Buffy the Vampire Slayer

Battis, Jes. Captain Tightpants:  Firefly and the Science Fiction Canon

Being a Vampire Sucks: Regarding the Anonymous Vampires in Buffy the Vampire Slayer

Bennett, Eve, Deconstructing the Dream Factory: Personal Fantasy and Corporate Manipulation in Joss Whedon's Dollhouse

Blasingame, Katrina, “I can’t believe I’m saying it twice in the same century . . . but ‘duh . .  .’” The Evolution of Buffy the Vampire Slayer Sub-Culture Language through the Medium of Fanfiction

Bliss and Time: Death, Drugs, and Posthumanism in Buffy the Vampire Slayer

Bowers, Cynthia, Generation Lapse: The Problematic Parenting of Joyce Summers and Rupert Giles  

Boyette, Michele, The Comic Anti-hero in Buffy the Vampire Slayer, Or Silly Villain: Spike is for Kicks  

Bradney, Anthony, “I Made a Promise to a Lady”: Law and Love in BtVS

Bradney, Anthony, The Politics and Ethics of Researching the Buffyverse

Brainwashing the Working Class: Vampire Comics and Criticism from Dr. Occult to Buffy

Bram Stoker's Buffy: Traditional Gothic and Contemporary Culture

Brannon, Julie Sloan, "It's About Power": Buffy, Foucault, and the Quest for Self

“[B]reakaway pop hit or . . . book number?”: “Once More, with Feeling” and Genre

Breton, Rob and Lindsey McMaster, Dissing the Age of Moo: Initiatives, Alternatives, and Rationality in Buffy the Vampire Slayer

Brown, Rebecca. Orientalism in Firefly and Serenity

BtVS Links

Buffy and the BBC: Moral Questions and How to Avoid Them

Buffy Hereafter: From the Whedonverse to the Whedonesque (Conference Report)

Buffy in the "Terrible House"

Buffy the Vampire Slayer

Buffy the Vampire Slayer in the Business Ethics Classroom

Buffy the Vampire Slayer and the Domestic Church: Re-Visioning Family and the Common Good

Buffy, the Scooby Gang, and Monstrous Authority: BtVS and the Subversion of Authority

Buffy the Vampire Slayer and the Pedagogy of Fear

Buffy the Vampire Disciplinarian: Institutional Excess, Spiritual Technologies, and the New Economy of Power

Buffy, Faith and Bad Faith: Choosing to be the Chosen One

Buffy/Faith Adult Femslash: Queer Porn with a Plot

Buinicki, Martin and Anthony Enns, Buffy the Vampire Disciplinarian: Institutional Excess, Spiritual Technologies, and the New Economy of Power

Burns, Angie. Passion, pain and ‘bad kissing decisions’: learning about intimate relationships from Buffy Season Six (21).

Burr, Vivien, Buffy and the BBC: Moral Questions and How to Avoid Them

Bussolini, Jeffrey, Los Alamos is the Hellmouth

By Whose Authority? The Magical Tradition, Violence, and the Legitimation of the Vampire Slayer

Call, Lewis (California Polytechnic State University, San Luis Obispo), "Sounds Like Kinky Business to Me": Subtextual and Textual Representations of Erotic Power in the Buffyverse

Callander, Michelle, Bram Stoker's Buffy: Traditional Gothic and Contemporary Culture  

Calvert, Bronwen, Going Through the Motions: Robots in Buffy the Vampire Slayer

Calvert, Bronwen, Mind, Body, Imprint: Cyberpunk Echoes in the Dollhouse

Campbell. Richard and Caitlin Campbell, Demons, Aliens, Teens and Television (from Television Quarterly

Camron, Marc, Xander, Patriarchy, and the Presentation of Realistic Gender Politics in BtVS

Captain Tightpants:  Firefly and the Science Fiction Canon

Carroll, Shiloh, Psychology of a "Superstar": A Pyschological Analysis of Jonathan Levinson

The Caucasian Persuasion of Buffy the Vampire Slayer

Chandler, Holly, Slaying the Patriarchy: Transfusions of the Vampire Metaphor in BtVS (Slayage Number Nine)

Clark, Daniel A. and P. Andrew Miller, Buffy, the Scooby Gang, and Monstrous Authority: BtVS and the Subversion of Authority

Clemons, Leigh. Real Vampires Don’t Wear Shorts: The Aesthetics of Fashion in Buffy the Vampire Slayer (22)

Cocca, Carolyn, "First Word 'Jail,' Second Word 'Bait'": Adolescent Sexuality, Feminist Theories, and Buffy the Vampire Slayer

Cochran, Tanya R. and Rhonda V. Wilcox. A New Frontier: Whedon Studies and Firefly/Serenity

Coker, Catherine,  That Girl: Bella, Buffy, and the Feminist Ethics of Choice in Twilight and Buffy the Vampire Slayer

The Color of the Dark

The Comic Anti-hero in Buffy the Vampire Slayer, Or Silly Villain: Spike is for Kicks

A Conference Report on "Bring Your Own Subtext": Social Life, Human Experience and the Works of Joss Whedon

Connelly, Tom and Shelley S. Rees, Alienation and the Dialectics of History in Joss Whedon’s Dollhouse

Contributors

Cover,  Rob Bliss and Time: Death, Drugs, and Posthumanism in Buffy the Vampire Slayer

Coyote in the Black: The Evolution of Malcolm Reynolds the Trickster-Shaman

Curry, Agnes B. “We don’t say ‘Indian’”: On the Paradoxical Construction of the Reavers

Czech Mate: Whedon, Čapek, and the Foundations of the Dollhouse

Da Ros, Giada, When, Where, and How Much is Buffy a Soap Opera?

Davis, Hugh H.,  “The Drama Is In Us": Pirandellian Echoes in Dollhouse

Davis, Robert A., Buffy the Vampire Slayer and the Pedagogy of Fear 

Deconstructing the Dream Factory: Personal Fantasy and Corporate Manipulation in Joss Whedon's Dollhouse

Demonic Maternities, Complex Motherhoods: Cordelia, Fred and the Puzzle of Illyra

Demons, Aliens, Teens and Television (from Television Quarterly)

"Did Anyone Ever Explain to you What 'Secret Identity' Means?" Race and Displacement in Buffy and Dark Angel

Diehl, Laura, Why Drusilla is More Interesting Than Buffy

Disgust, Difference, and Displacement in the Dollhouse

Dissing the Age of Moo: Initiatives, Alternatives, and Rationality in Buffy the Vampire Slayer

“The Drama Is In Us": Pirandellian Echoes in Dollhouse

Dressed to Kill: Fashion and Leadership in BtVS (21) Christine Jarvis and Don Adams

Driving Stakes, Driving Cars: California Car Culture, Sex, and Identity in BtVS

Dunn, George A. and Brian McDonald (Indiana University-Purdue University at Indianapolis),  “A Very Strong Urge to Hit You”: Mimetic Violence and Scapegoating in Buffy the Vampire Slayer (26)

Durand, Kevin K., "Are You Ready to Finish This?": The Battle against the Patriarchal Forces of Darkness

Early, Frances, Staking Her Claim: Buffy the Vampire Slayer as  Transgressive Woman Warrior (from The Journal of Popular Culture)

Echoes of Complicity: Reflexivity and Identity in Joss Whedon’s Dollhouse

Editorial Board (of Slayage)

Editors (of Slayage)

"Emotional Resonance and Rocket Launchers": Joss Whedon's Audio Commentaries on the Buffy the Vampire Slayer DVDs

End as Moral Guidepos, The

Enlightenment Rhetoric in Buffy the Vampire Slayer: The Ideological Implications of Worldviews in the Buffyverse (26) Wendy Olson

Episode Guides

Erickson, Greg, Revisiting Buffy’s (A)Theology: Religion: “Freaky” or just “A Bunch of Men Who Died”

"Every Night I Save You": Buffy, Spike, Sex and Redemption 

The Evolution of Joss Whedon’s Vampire Mythology and the Ontology of the Soul

Extending Your Mind: Non-Standard Perlocutionary Acts in "Hush"

Fan Readings of Sex and Violence on Buffy the Vampire Slayer

"Fantasy . . . Is Their Business, But That Is Not Their Purpose”: Introduction to the

Fifarek, Aimee, "Mind and Heart with Spirit Joined”: The Buffyverse as an Information System  

Fighting the Forces: What's at Stake in Buffy the Vampire Slayer

"First Word 'Jail,' Second Word 'Bait'": Adolescent Sexuality, Feminist Theories, and Buffy the Vampire Slayer

Fletcher, Lawson, “Is She Cold”: Telaesthetic Horror and Embodied Textuality in “The Body” 

Fossey, Claire, "Never Hurt the Feelings of a Brutal Killer": Spike and the Underground Man

Fritts, David, Warrior Heroes: Buffy the Vampire Slayer and Beowulf

From the Valley to the Hellmouth: Buffy’s Transition from Film to Television

Fuchs, Cynthia (George Mason University), "Did Anyone Ever Explain to you What 'Secret Identity' Means?" Race and Displacement in Buffy and Dark Angel

Gelineau, Mark. Coyote in the Black: The Evolution of Malcolm Reynolds the Trickster-Shaman

Geller, Len,  "Normal Again" and "The Harvest": The Subversion and Triumph of Realism in Buffy (32)

Generation Lapse: The Problematic Parenting of Joyce Summers and Rupert Giles

Getting a Wiggins and Being a Bitca: How Two Items of Slayer Slang Survive on the Television Without Pity Message Boards

Ginn, Sherry, Memory, Mind, and Mayhem: Neurological Tampering and Manipulation in Dollhouse

Girl on Girl Politics: Willow/Tara and New Approaches to Media Fandom

Going Through the Motions: Robots in Buffy the Vampire Slayer

Gorgonzola Sandwiches and Yellow Crayons: James Joyce, Buffy the Vampire Slayer and the Aesthetic of Minutiae

Greene, Richard and Wayne Yuen, Why Can’t We Spike Spike?: Moral Themes in Buffy the Vampire Slayer 

Hacking the Read-Only File: Collaborative Narrative as Ontological Construction in Dollhouse

Halfyard, Janet K. Love, Death, Curses and Reverses (in F minor): Music, Gender and Identity in Buffy the Vampire Slayer and Angel  

Halfyard, Janet K. Singing Their Hearts Out: Performance, Sincerity and Musical Diegesis in Buffy the Vampire Slayer and Angel

Happiness is a Warm Scythe: The Evolution of Villainy and Weaponry in the Buffyverse

Harris, Howard , Buffy the Vampire Slayer in the Business Ethics Classroom

Hautsch, Jessica, Staking Her Colonial Claim: Colonial Discourses, Assimilation, Soul-making, and Ass-kicking in Buffy the Vampire Slayer

Hawk, Julie L., Hacking the Read-Only File: Collaborative Narrative as Ontological Construction in Dollhouse

Heinecken Dawn, Fan Readings of Sex and Violence on Buffy the Vampire Slayer

Hollis, Erin. Gorgonzola Sandwiches and Yellow Crayons: James Joyce, Buffy the Vampire Slayer and the Aesthetic of Minutiae (22)

Hoffmann, Christine , Happiness is a Warm Scythe: The Evolution of Villainy and Weaponry in the Buffyverse

“I am the law” “I am the magics”: Speech, Power and the Split Identity of Willow in Buffy the Vampire Slayer

“I can’t believe I’m saying it twice in the same century . . . but ‘duh . .  .’” The Evolution of Buffy the Vampire Slayer Sub-Culture Language through the Medium of Fanfiction

"I hear it's best to play along": The Poststructuralist Turn in Buffy the Vampire Slayer

“I Made a Promise to a Lady”: Law and Love in BtVS

“I Think I’m Kinda Gay”: Willow Rosenberg and the Absent/Present Bisexual in Buffy the Vampire Slayer 

“I Wrote My Thesis on You": Buffy Studies as an Academic Cult

Images from the Hellmouth: Buffy the Vampire Slayer Comic Books 1998-2002

Imaginary Para-Sites of the Soul: Vampires and Representations of ‘Blackness’ and ‘Jewishness’ in the Buffy/Angelverse

In "The Demon Section of the Card Catalog": Buffy Studies and Television Studies (21Rhonda V. Wilcox

Introduction: Beyond Slayer Slang: Pragmatics, Discourse, and Style in Buffy the Vampire Slayer

Introduction

Introvigne, Massimo. Brainwashing the Working Class: Vampire Comics and Criticism from Dr. Occult to Buffy.

“I run to Death”: Renaissance Sensibilities in Buffy the Vampire Slayer

“I Think I’m Kinda Gay”: Willow Rosenberg and the Absent/Present Bisexual in Buffy the Vampire Slayer 

“Is She Cold”: Telaesthetic Horror and Embodied Textuality in “The Body”

“Is that just a comforting way of not answering the question?”: Willow, Questions, and Affective Response in Buffy the Vampire Slayer

Malin Isaksson, Buffy/Faith Adult Femslash: Queer Porn with a Plot

“It’s About Power!” Executive Fans, Spoiler Whores and Capital in the Buffy the Vampire Slayer On-Line Fan Community

"It's About Power": Buffy, Foucault, and the Quest for Self

"It’s Bloody Brilliant!" The Undermining of Metanarrative Feminism in the Season Seven Arc Narrative of Buffy

Jarvis, Christine , “I run to Death”: Renaissance Sensibilities in Buffy the Vampire Slayer

Jarvis, Christine (Sheffield Hallam University) and Don Adams (Central Connecticut State University). Dressed to Kill: Fashion and Leadership in BtVS (21)

Jencson, Linda Jean. “Aiming to Misbehave”: Role Modeling Political-Economic Conditions and Political Action in the Serenityverse

Jenkins, Alice and Susan Stuart, Extending Your Mind: Non-Standard Perlocutionary Acts in "Hush"

Jowett, Lorna, New Men: "Playing the Sensitive Lad"

Jowett, Lorna, The Summers’ House as Domestic Space in Buffy the Vampire Slayer

"Killing us Softly"? A Feminist Search for the "Real" Buffy

Kirchner, Jesse Saba, And in Some Language That’s English? Slayer Slang and Artificial Computer Generation

Kirkland, Ewan. The Caucasian Persuasion of Buffy the Vampire Slayer

Kirkland, Ewan, A Conference Report on "Bring Your Own Subtext": Social Life, Human Experience and the Works of Joss Whedon

Kiss the Librarian, But Close the Hellmouth: “It’s Like a Whole Big Sucking Thing”

Kociemba, David. ”Actually, it explains a lot”: Reading the Opening Title Sequences of Buffy the Vampire Slayer

Kociemba, David, “Over-identify much?”: Passion, "Passion," and the Author-Audience Feedback Loop in Buffy the Vampire Slayer

Kociemba, David , "Where's the fun?": The Comic Apocalypse in "The Wish"

Koontz, K. Dale, Czech Mate: Whedon, Čapek, and the Foundations of the Dollhouse

K. Dale Koontz (Cleveland State Community College), The One That Almost Got Away: Doyle and the Fish Story (26)

Kromer, Kelly, Silence as Symptom: A Psychoanalytic Reading of "Hush"

Krzywinska, Tanya, Playing Buffy: Remediation, Occulted Meta-game-Physics and the Dynamics of Agency in the Videogame Version of Buffy the Vampire Slayer

Lavery, David

Lavery, David, Apocalyptic Apocalypses: The Narrative Eschatology of Buffy the Vampire Slayer

Lavery, David, "Emotional Resonance and Rocket Launchers": Joss Whedon's Audio Commentaries on the Buffy the Vampire Slayer DVDs

Lavery, David, “I Wrote My Thesis on You": Buffy Studies as an Academic Cult

Lavery, David. "A Religion in Narrative": Joss Whedon and Television Creativity

Leon, Hilary M., Why We Love the Monsters: How Anita Blake, Vampire Hunter, and Buffy the Vampire Slayer Wound Up Dating the Enemy

“Lessons” for Season Seven of Buffy the Vampire Slayer

"Let it Simmer": Tone in "Pangs"

Links

A Little Less Ritual and a Little More Fun: The Modern Vampire in Buffy the Vampire Slayer

Locklin, Reid B., Buffy the Vampire Slayer and the Domestic Church: Re-Visioning Family and the Common Good

Loftis, J. Robert , Moral Complexity in the Buffyverse

Los Alamos is the Hellmouth

Love, Death, Curses and Reverses (in F minor): Music, Gender and Identity in Buffy the Vampire Slayer and Angel

"Love’s Bitch but Man Enough to Admit It": Spike’s Hybridized Gender

Mad, Bad Scientists and Cute, Curious Magicians: The Quest for Knowledge in Buffyand the Whedonverse

Magnusson, Gert, Being a Vampire Sucks: Regarding the Anonymous Vampires in Buffy the Vampire Slayer

Maio, Barbara , Buffy the Vampire Slayer

Marshall, C. W., Aeneas the Vampire Slayer: A Roman Model for Why Giles Kills Ben

Masson, Cynthea and Rhonda V. Wilcox, Fantasy . . . Is Their Business, But That Is Not Their Purpose”: Introduction to the Slayage Special Issue on Dollhouse

Masson, Cynthea, “Is that just a comforting way of not answering the question?”: Willow, Questions, and Affective Response in Buffy the Vampire Slayer

Masson, Cynthea and Marni Stanley. Queer Eye of that Vampire Guy: Spike and the Aesthetics of Camp (22)

Masson, Cynthea, Who Painted the Lion?—A Gloss on Dollhouse’s "Belle Chose”

McAvan, Em, “I Think I’m Kinda Gay”: Willow Rosenberg and the Absent/Present Bisexual in Buffy the Vampire Slayer

McClelland, Bruce, By Whose Authority? The Magical Tradition, Violence, and the Legitimation of the Vampire Slayer  

McLaren,Scott, The Evolution of Joss Whedon’s Vampire Mythology and the Ontology of the Soul

McNeilly, Kevin, Sue Fisher, and Christina Sylka, Kiss the Librarian, But Close the Hellmouth: “It’s Like a Whole Big Sucking Thing”  

Melton, J. Gordon, Images from the Hellmouth: Buffy the Vampire Slayer Comic Books 1998-2002

Melton, J. Gordon, Words from the Hellmouth: A Bibliography of Books on Buffy the Vampire 

Memory, Mind, and Mayhem: Neurological Tampering and Manipulation in Dollhouse

Middents, Jeffrey, A Sweet Vamp: Critiquing the Treatment of Race in Buffy and the American Musical Once More (with Feeling)

Mikosz, Philip and Dana Och, Previously on Buffy the Vampire Slayer . . .

"Mind and Heart with Spirit Joined”: The Buffyverse as an Information System

Mind, Body, Imprint: Cyberpunk Echoes in the Dollhouse

The Monster Inside: Taming the Darkness within Ourselves

Moral Complexity in the Buffyverse

Moss, Gabrielle, From the Valley to the Hellmouth: Buffy’s Transition from Film to Television  

Mukherjea, Ananya (College of Staten Island, CUNY), “When You Kiss Me, I want to Die”: Gothic Relationships and Identity on Buffy the Vampire Slayer (26)

Muntersbjorn, Madeline, Disgust, Difference, and Displacement in the Dollhouse

Myth, Metaphor, Morality and Monsters: The Espenson Factor and Cognitive Science in Joss Whedon's Narrative Love Ethic

"Never Hurt the Feelings of a Brutal Killer": Spike and the Underground Man

A New Frontier: Whedon Studies and Firefly/Serenity

New Men: "Playing the Sensitive Lad"

News

"Normal Again" and "The Harvest": The Subversion and Triumph of Realism in Buffy

"Not Just Another Buffy Paper”: Towards an Aesthetics of Television

Sören Nylin, Mad, Bad Scientists and Cute, Curious Magicians: The Quest for Knowledge in Buffyand the Whedonvers

Wendy Olson (Washington State University Vancouver), Enlightenment Rhetoric in Buffy the Vampire Slayer: The Ideological Implications of Worldviews in the Buffyverse (26)

On the Philosophical Consistency of Season 7

The One That Almost Got Away: Doyle and the Fish Story (26) K. Dale Koontz

Orientalism in Firefly and Serenity

“The Outsiders' Society”: Religious Imagery in Buffy the Vampire Slayer

Over-identify much?”: Passion, "Passion," and the Author-Audience Feedback Loop in Buffy the Vampire Slayer

“A Painful, Bleeding Sleep": Sleeping Beauty in the Dollhouse

Passion, pain and ‘bad kissing decisions’: learning about intimate relationships from Buffy Season Six (21) Angie Burns

Pateman, Matthew, "Restless" Readings--Involution, Aesthetics, and Buffy

Pateman, Matthew. Introduction (22)

Paule, Michele, You're on my campus, buddy!: Sovereign and disciplinary power at Sunnydale High

Pender, Patricia (Pace University). "Where Do We Go From Here?”: Buffy Studies and Slayage 2006 (21)

Perceived Values and Social Support in Buffy the Vampire Slayer

Peridago, Lisa K. "I hear it's best to play along": The Poststructuralist Turn in Buffy the Vampire Slayer

Peridago, Lisa K. “This One’s Broken": Rebuilding Whedonbots and Reprogramming the Whedonverse

Peters, Mark, Getting a Wiggins and Being a Bitca: How Two Items of Slayer Slang Survive on the Television Without Pity Message Boards

Playdon, Zoë-Jane, “The Outsiders' Society”: Religious Imagery in Buffy the Vampire Slayer

Playing Buffy: Remediation, Occulted Meta-game-Physics and the Dynamics of Agency in the Videogame Version of Buffy the Vampire Slayer

The Politics and Ethics of Researching the Buffyverse

Previously on Buffy the Vampire Slayer . . . 

Psychology of a "Superstar": A Pyschological Analysis of Jonathan Levinson

"Queen C" Goes to Boys' Town: Killing the Angel in Angel's House

Queer Eye of that Vampire Guy: Spike and the Aesthetics of Camp

Rabb, J. Douglas and J. Michael Richardson, Myth, Metaphor, Morality and Monsters: The Espenson Factor and Cognitive Science in Joss Whedon's Narrative Love Ethic

Rambo, Elizabeth,  “Lessons” for Season Seven of Buffy the Vampire Slayer

Rambo, Elizabeth , "Queen C" Goes to Boys' Town: Killing the Angel in Angel's House

Reading the Vampire Slayer

Real Vampires Don’t Wear Shorts: The Aesthetics of Fashion in Buffy the Vampire Slayer

Red Noise

Regeneration through Vampirism: Buffy the Vampire Slayer’s New Frontier

"Restless" Readings--Involution, Aesthetics, and Buffy

Revisiting Buffy’s (A)Theology: Religion: “Freaky” or just “A Bunch of Men Who Died”

Riess, Jana, The Monster Inside: Taming the Darkness within Ourselves

"A Religion in Narrative": Joss Whedon and Television Creativity

"Restless" Readings--Involution, Aesthetics, and Buffy

Richardson, J. Michael and J. Douglas Rabb, Buffy, Faith and Bad Faith: Choosing to be the Chosen One

Rogers, Brett M. (University of Georgia). The Whedonverses and the Sociology of Academe, or A Report on SC2: The Slayage Conference on the Whedonverses, Gordon College, May 26-28, 2006 (21)

Romesburg, Rod, Regeneration through Vampirism: Buffy the Vampire Slayer’s New Frontier

Rosenfeld. Lawrence B. and Scarlet L. Wynns, Perceived Values and Social Support in Buffy the Vampire Slayer

Ruddell, Caroline, “I am the law” “I am the magics”: Speech, Power and the Split Identity of Willow in Buffy the Vampire Slayer

St. Louis, Renee and Miriam Riggs “A Painful, Bleeding Sleep": Sleeping Beauty in the Dollhouse

Screaming to be Heard: Community and Communication in "Hush"

Shade, Patrick (Rhodes College), Screaming to be Heard: Community and Communication in "Hush" (21)

Paul D. Shapiro (Georgia Southwestern), Someone to Sink Your Teeth Into: Gendered Biting Patterns on Buffy the Vampire Slayer—A Quantitative Analysis (26)

“She’s Not All Grown Yet”: Willow As Hybrid/Hero in Buffy the Vampire Slayer

Silence as Symptom: A Psychoanalytic Reading of "Hush"

Simkin, Stevie, "You Hold Your Gun Like A Sissy Girl": Firearms and Anxious Masculinity in BtVS

Simkin, Stevie, "Who died and made you John Wayne?” – Anxious Masculinity in Buffy the Vampire Slayer

Singing Their Hearts Out: Performance, Sincerity and Musical Diegesis in Buffy the Vampire Slayer and Angel

Sister Journals

Site History

The Slayage Conference on Buffy the Vampire Slayer

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Slaying the Patriarchy: Transfusions of the Vampire Metaphor in BtVS

"Solving Problems with Sharp Objects": Female Empowerment, Sex and Violence in Buffy the Vampire Slayer

Someone to Sink Your Teeth Into: Gendered Biting Patterns on Buffy the Vampire Slayer—A Quantitative Analysis (26) Paul D. Shapiro

"Sounds Like Kinky Business to Me": Subtextual and Textual Representations of Erotic Power in the Buffyverse

South, James, On the Philosophical Consistency of Season 7

Spah, Victoria, Ain't Love Grand: Spike & Courtly Love  

Spicer, Arwen, "It’s Bloody Brilliant!" The Undermining of Metanarrative Feminism in the Season Seven Arc Narrative of Buffy

Spicer, Arwen, "Love’s Bitch but Man Enough to Admit It": Spike’s Hybridized Gender

Staking Her Claim: Buffy the Vampire Slayer as  Transgressive Woman Warrior

Staking Her Colonial Claim: Colonial Discourses, Assimilation, Soul-making, and Ass-kicking in Buffy the Vampire Slayer

Stengel, Wendy A. F. G., Synergy and Smut: The Brand in Official and Unofficial Buffy the Vampire Slayer Communities of Interest  

Stevenson, Greg, The End as Moral Guidepost

Submission to Slayage

The Summers’ House as Domestic Space in Buffy the Vampire Slayer

A Sweet Vamp: Critiquing the Treatment of Race in Buffy and the American Musical Once More (with Feeling)

Symonds, Gwyn, 'Solving Problems with Sharp Objects': Female Empowerment, Sex and Violence in Buffy the Vampire Slayer

Synergy and Smut: The Brand in Official and Unofficial Buffy the Vampire Slayer Communities of Interest

Tabron, Judith, Girl on Girl Politics: Willow/Tara and New Approaches to Media Fandom

Teen Witches, Wiccans, and “Wanna-Blessed-Be’s”: Pop-Culture Magic in Buffy the Vampire Slayer 

That Girl: Bella, Buffy, and the Feminist Ethics of Choice in Twilight and Buffy the Vampire Slayer

"There Will Never Be a ‘Very Special’ Buffy”:  Buffy and the Monsters of Teen Life

“This One’s Broken": Rebuilding Whedonbots and Reprogramming the Whedonverse 

T. S. Eliot Comes to Television: Buffy's "Restless"

Turnbull, Sue, "Not Just Another Buffy Paper”: Towards an Aesthetics of Television

Undead Letters: Searches and Researches in Buffy the Vampire Slayer  

Vampire is Being Beaten - De Sade Through the Looking Glass in Buffy and Angel, A

Vampires and School Girls: High School Highjinks on the Hellmouth in Buffy the Vampire Slayer 

“A Very Strong Urge to Hit You”: Mimetic Violence and Scapegoating in Buffy the Vampire Slayer (26) George A. Dunn and Brian McDonald

Vint, Sherryl, "Killing us Softly"? A Feminist Search for the "Real" Buffy  

Walking the Fine Line Between Angel and Angelus

Wandless, William, Undead Letters: Searches and Researches in Buffy the Vampire Slayer  

Warrior Heroes: Buffy the Vampire Slayer and Beowulf`

“We don’t say ‘Indian’”: On the Paradoxical Construction of the Reavers

Whedon Studies Association, The 

The Whedonverses and the Sociology of Academe, or A Report on SC2: The Slayage Conference on the Whedonverses, Gordon College, May 26-28, 2006 (21) Brett M. Rogers

When, Where, and How Much is Buffy a Soap Opera?

“When You Kiss Me, I want to Die”: Gothic Relationships and Identity on Buffy the Vampire Slayer (26) Ananya Mukherjea

"Where Do We Go From Here?”: Buffy Studies and Slayage 2006 (21) Patricia Pender

"Where's the fun?": The Comic Apocalypse in "The Wish"

"Who died and made you John Wayne?” – Anxious Masculinity in Buffy the Vampire Slayer

Who Painted the Lion?—A Gloss on Dollhouse’s "Belle Chose”

Why Can’t We Spike Spike?: Moral Themes in Buffy the Vampire Slayer

Why Drusilla is More Interesting Than Buffy

Why We Love the Monsters: How Anita Blake, Vampire Hunter, and Buffy the Vampire Slayer Wound Up Dating the Enemy

Wilcox, Rhonda V.

Wilcox, Rhonda V., Echoes of Complicity: Reflexivity and Identity in Joss Whedon’s Dollhouse

Wilcox, Rhonda V., "Every Night I Save You": Buffy, Spike, Sex and Redemption

Wilcox, Rhonda V.,  In "The Demon Section of the Card Catalog": Buffy Studies and Television Studies

Wilcox, Rhonda V., "Let it Simmer": Tone in "Pangs"

Wilcox, Rhonda V., "There Will Never Be a ‘Very Special’ Buffy”:  Buffy and the Monsters of Teen Life

Wilcox, Rhonda V., T. S. Eliot Comes to Television: Buffy's "Restless"

Wilcox, Rhonda V. , The Whedon Studies Association

Williams, Rebecca,  “It’s About the Power!” Executive Fans, Spoiler Whores and Capital in the Buffy the Vampire Slayer On-Line Fan Community

Winslade, J. Lawton, Teen Witches, Wiccans, and “Wanna-Blessed-Be’s”: Pop-Culture Magic in Buffy the Vampire Slayer  

Wisker, Gina, Vampires and School Girls: High School Highjinks on the Hellmouth in Buffy the Vampire Slayer

Words from the Hellmouth: A Bibliography of Books on Buffy the Vampire 

"You Hold Your Gun Like A Sissy Girl": Firearms and Anxious Masculinity in BtVS

You're on my campus, buddy!: Sovereign and disciplinary power at Sunnydale High

Xander, Patriarchy, and the Presentation of Realistic Gender Politics in BtVS